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Neutral Color

I was painting a view of the Tucson Mountains when the sun set behind the mountains and the colors went from very warm, definite colors of green, orange and yellow to shades of cool gray color against a very warm, yellow sky.  At first the colors seemed grey when the sun set but when my eyes got accustomed to the light change I noticed all kinds of subtle neutral color.  With a limited pallette of yellow, red and blue I find it easier to achieve those subtle changes.  Find the local color of a shape and decide how much of the remaining primaries you need to add to get the right color, thinking in terms of value first. 
  Large areas of shadow, like a field or mountain, are going to have subtle neutral color changes from front to back and side to side, I find that easiest to control with a limited pallette.

Welcome

Phil Starke

Welcome to “Between The Palette Scrapings”, a blog I’ve designed specifically for the study of art.  My goal here is to offer other artists ways to improve their work and suggestions for further study.  This blog is intended to complement my teaching website:  www.starkestudio.com.  It’s important to continue learning and improving and I look forward to your comments.  If you aren’t familiar with my work, you can visit my gallery website at www.philstarke.comYou can find out more by signing up for my free monthly newsletter.

Welcome

Phil Starke

Welcome to “Between The Palette Scrapings”, a blog I’ve designed specifically for the study of art.  My goal here is to offer other artists ways to improve their work and suggestions for further study.  This blog is intended to complement my teaching website:  www.starkestudio.com.  It’s important to continue learning and improving and I look forward to your comments.  If you aren’t familiar with my work, you can visit my gallery website at www.philstarke.comYou can find out more by signing up for my free monthly newsletter.

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